GSH

a designer’s dream apartment — for someone else

by:GSH     2020-10-03
Until recently, Paris\'s designer and architect Joseph Dilland was savoring the boundaries of his career;
He is convinced that the restriction makes him concentrate, or at least valuable in the elaborate dance of persuading clients to do things his way.
Still, there are some practical issues and budgets even at his rarity level, although these are often staggering.
In the residence of the Miami Surf Club, the Four Seasons hotel gave him a room of 700-
Guide pages;
Paris family showroom in Toyko
This embodies the fantastic, uninterrupted expanse of rare marble, 43-year-
Old Dylan is so in love.
There is a mission to sell goods and during the resort\'s short ski season, l\'apogée Courchevel resort must be completed in advance.
All these limitations are healthy and even necessary to control the extreme nature of Dilland, thanks to the erosion of the new vision of minimalism, which reinterprets history, they are also obsessed with details, so they are almost microscopic.
\"I like constraints.
They gave me comfort, \"Dylan said at a banquet at the restaurant building of the Louvre Museum of Art he designed.
He was weak, bearded, and energetic about a delicious pasta, and he told me the story of the project, which reminded him of what full freedom meant.
Three years ago, a contemporary artist of Dylan, a fan of his work, introduced him to her mother, the low-key heiress.
She bought two United apartments on Montaigne avenue and one of the world\'s most luxurious flagship stores.
Without the local bouulangerie, boucherie or pharmacie, it is not a place of life that most Parisians can imagine, but it has become a magnet for international pieds --à-terre.
They talked for hours and Dylan felt she was in love and an older woman intuitively accepted his elaborate plan.
His residential projects have been decreasing, but the idea of being able to create a complete narrative without boundaries is irresistible.
Finally, the mother\'s instructions are more appropriate to the patron of the Renaissance than the contemporary client: \"She told me, \'I want you to realize your dream;
It will be my dream, he recalled.
\"The door to imagination has just opened.
\"The Dirand designed apartments feature big horn sheep, the fladimere Kagan sofa and some of Dirand\'s favorite artists, including the form of Picasso\'s work, Hewitt and Fontana.
Dirand designed apartments feature big horn sheep, fladimere Kagan sofa and some of Dirand\'s favorite artists, including Picasso\'s works, Hewitt and Fontana.
For the kitchen, Dilland made a huge table with cantilever marbleBreccia Viola.
The chair is Warren Prana and bronze. and-
Eric Schmitt is a alabaster pendant.
Above the sofa in the living room is a Mathieu Lustrerie chandelier designed by Dirand to show respect for Irene Gray.
The wall is 1975 work by Alighiero Boetti.
A picture on a suede on the Kawara date
Covered desk in main suite.
Dilland created a table that did not seem to be affected by gravity.
The apartment was in a magnificent early 19-
The century housmann building, in the huge interior courtyard of the tile, echoes the footsteps of the foot.
The winding staircase is the embassy. sized.
Take off before Flight 11. foot-
High double door, waiting for a box of huge surgical paper
It\'s an unsubtle sign that your casual shoe sole has no place in the least important family --
Friendly accommodation on Earth.
In fact, it would be more accurate to refer to this place as a concept rather than a residence, since the owners have only been there once since these two months --
Projects for one year have been completed and may be visited several times a year at most.
Dylan also admitted this the night before.
He thought of 6,500. square-
As the background of the \"modern Queen.
But the focus of this exercise has never been livability. To see Dirand —
Is arguably the most popular
Talent in the pursuit of design-
In full flower, we need to know the direction of contemporary design: stay away from cool, close
The barren room, oriented to the minimalism of texture, consciously acknowledges the decoration of the past.
First impression: You walked into a hand --
Colorful photos of the Paris stage set come from an era you can\'t imagine.
Outside the French door of the huge front room lies the bare black branches of Montaigne avenue in winter, as in the Stieglitz photo;
The inside is a decades-old French design that gently strips its essence and is polished to an impossible edge.
To really live with all human defects.
A ledge, too high, invisible, not born;
A loose line under Ottoman;
A squeaky hinge, an unlovely socket.
Instead, here you have a living respect for Dylan\'s obsession with precision.
Each texture on marble is arranged in the correct pattern, and each tile is arranged on a pricethee-
Well, every fold. floor-to-Ceiling plasterhued cashmere —is perfect.
Wash wood products of forest value with glowing hands
Mixed shades of cream and off
Some walls are white and almost unconsciously Green.
The craftsmen repainted one of the rooms four times.
Sable brush without roller
Because the shadow at dusk is very disappointed at dawn.
Despite the subtle decoration style of the designer, there is actually no surface without decoration: not only the chair and Vladimir Kagan sofa are covered with pale and luxurious fabrics (
Cashmere, horse hair, silk)
The same is true for tables and tables.
Some bedside tables are wrapped in sheepskin suede until the edge of the embedded customization
Brass plate for fixed lighting control device. A full-
One of the four bedrooms is not a mirror at all, but a carefully polished nickel plane, \"in order to get your reflections to a depth that is not usually available,\" Dirand said . \".
His master\'s home is everywhere, seamlessly sewn into the elegant narrative: a round coffee table calling blancussi, a pair of sofas designed for Irene Gray.
Bronze and plaster lighting devices created by Philippe Anthonioz in cooperation with Giacometti indicate the original past
Dawn of the machine age and the appearance of decoration.
Early in his career, Dylan\'s interior design was more elemental and cool
Although the rooms were somewhat marginal, he said, the rooms expressed his interest in a more subtle supermodel.
\"You\'re not recreating history,\" he said . \"
\"You\'re still going on.
Nevertheless, the art of his choice makes it clear that no matter what future he is heading towards, it is a sparse, brain-like place, occasionally fermented by whim.
He found some works that always attracted him, important works that he longed to have, those that formed his aesthetic in his special childhood.
In fact, if genes were Fate, Dylan was born with such a vast canvas.
His father, Jacques, is a famous construction photographer of his generation, whose work defines such magazines as the indoor world;
His brother Adrian is now shooting the room for Architectural Digest;
His mother, Yveline, is a fashion designer.
In a stylish non-matching chair in a parent\'s weekly home, in a cigarette smoke, family and friends including costume designer shimko Shimada and industrial designer Marc Berthier debate politics and painting.
His childhood pilgrimage was not to Disneyland, but to places such as the Church of Notre Dame du hault of Le cobussier and the exhibition of Joseph beys.
Dylan began building buildings around the age of seven;
He will create them from the debris, \"like a slum\" and engineer them so that, with the pull of the rope, the whole structure will collapse in a brilliant pile
In his apartment on Montaigne avenue, he collected a piece of art that seemed to be immersed in his past.
He had been longing for a Kawara dating painting so one was hanging on the table.
Sanlian oil Greek poverty art master Jannis Kounellis, a pair of polished bronze orb\'s Lucio Fontana and several by François thanxavier lané, one of the lives
The writing desk of a living room is filled with sheep of the size.
On an otherwise bare coffee table, there is a small and exquisite LeWitt cube building that seems to be talking to a delicate Lalanne bird perched on leather --
There is a writing desk.
As the light of the night began to filter through the black iron railings, turning the walls into perfect shadows, Dylan made it clear that he had no illusions about what he had done.
This is not a home, at least in the traditional sense.
But that\'s not the point.
\"I know this project is not reasonable,\" he said . \"
\"But you have to do that when you have a chance to make your fantasies.
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